Sophillia is a super unique ligature font that you wont forget! It’s a high contrast serif that has loads of style. I wanted to create multiple type families that could work together seamlessly. The Artisan Collection was created with careful consideration for usability and versatility. Vary between a light and heavy vintage look based on how many letters you alter. Packed with plenty of alternates and ligatures to really bring it to life! Create stunning designs that are truly unique to your brand. Apricosa – Vintage FontĪpricosa is a delightful, modern take on a vintage font. Celesse adds timeless beauty, heavenly curves and a classic appearance to any project. Its stark contrasting lines are best used in headlines and projects with big type. This font is great for designing elegant logos, quotes, magazine covers, wedding cards, invitations, and brandings. Pour yourself a glass of your finest wine and get classy with Celesse. Celesse – Classic FontĬelesse – A classic serif font, perfect for creating bold & gorgeous designs. It even looks great on its own with all-caps. Each lowercase letter retains the same stroke width of the capital letters, eliminating the risk of it looking inconsistent from letter to letter. Knoxville is a beautiful sans serif that makes logo creation easy! Simply use your lowercase letters to enable underlined letters, creating contrast and interest in your logos. It also works wonderfully on its own for logos, quotes, and more! Knoxville | A Logo Creating Font I think my favorite way of combining the two is in the “Nomad” sample image (#5) – a classy, minimalistic logo with complementing sans serif type.Ĭapri Sans is a clean and minimalistic uppercase font that complements Capri Serif beautifully. See how it looks when used for body text in the 4th sample image above. Capri Font DuoĬapri Serif is a classy, bold upper and lowercase typeface that looks incredible in both large and small settings. Prelia is a special font for your logo & branding. Qualy is a special font for your logo & branding.Įvery character (even punctuation marks!) is designed for a good logo, so not suitable for a long text. Use alternates to emphasize separate letters in your text. The font is suitable for creating wordmarks, titles, taglines. RM Connect is a new font for design of minimalistic logos. To help you find the right font, we’ve compiled a list of the best logo fonts for every taste and budget. Fonts can add a personal touch to your logo, but they can also totally clash with your brand’s visual identity. There are so many font options out there, it can be hard to know where to begin.
#Caslon font loo professional#
Logo fonts are the best way to create a quick and professional logo design. If you’re looking for a logo font that will make your design stand out, consider one of these fonts! But alas, not all fonts embrace the Scandi alphabet with it’s å, æ and ø possibilities (I’m looking at you Governor).We’ve put together a list of the best logo fonts for you to use in your designs. Consequently, there are certain fonts that capture the Scandinavian personality: clean, functional, beautiful, quirky as hell. There is a personality in every typeface. Lately, Brandon Grotesque has become the hit sensation and we’re loving it!įonts are a way to personify our words, giving even the most mundane text a layer of visual meaning. Danish hairdressers and locksmiths across the country have united in using white Broadway on black background on every sign (and I have no idea why). Indian restaurant menus favor Trajan Pro. Frutiger is used in almost every airport. These were exciting times for an 11-year-old.Īs I grew up, the font patterns emerged. As much as I like Matisse ITC, I didn’t want my teachers to think I was an anarchist. Soon afterwards, I joyfully upgraded from Office 95 fonts to the seemingly endless possibilities of Office 97. The labels on my school books were the height of avant-guarde cool thanks to Wingdings 3.0. My first love was Dom Casual when it eased my through my first poetry recital. Typography was something that I noticed from a young age. “More than life” is the somewhat concerning evaluation of my sister when I asked her if I actually did love typographical design quite that much. But as much as I try to pretend that I don’t drool over a nice slab serif, it’s time to face facts: I am one of those people. I honestly couldn’t imagine putting together a more pretentious article than: “My favourite minimalist fonts”.
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